Photoshop Tips – Adobe Photoshop and Text
Sometimes, when it comes to getting a picture to convey a particular emotion, or augmenting the theme of the background you juxtapose it against, nothing works quite as well as a few choice words. These could either be in the form of a quirky caption, or an insightful banner, or just about anything that adds to the significance of the picture in terms of the context you want to present it in. However, many photographers and editors have shied away from ‘tagging’ their images for years, for fear of their pieces of art turning into tacky caricatures, by merely adding a not-so-impressive effect that detracts from their image’s artistic value. In recent times, the revolution called Photoshop has literally swept these cynics of their feet, offering an array of features that would have otherwise been considered impossible to attain with more conventional digital photo-editing softwares.
Photoshop relies on the principle of Anti-Aliasing, which literally blends the text in with its background, so that the final result of your editing efforts is not a scintillating image and a few well-thought over words but an image of which the text and the photograph are fundamental parts. Anti-Aliasing works on the pixels of your text, partially filling in the edges to have them merge with the image. And this remarkable tool also allows you to be flexible and discreet in the extent to which you use it. If you are looking for an effect that is well-blended and yet retains the distinctiveness of the text, the ‘Sharp’ option allows you just what you’re looking for, while the ‘Strong’ alternative makes the text heavier than the rest of the image.
If you are working with very small text that is below the font size of 10 or 12 points, then as Photoshop specialists recommend, steer away from using Anti-Aliasing by setting the preference to ‘None’. This keeps the text from being modified inconsistently, a factor that comes into play when working with images of a very small size, or of a low resolution. The ‘smooth’ and the ‘sharp’ alternatives live up to their name with the effects they bring about, but if you are looking for something in between, try the ‘Crisp’ option which, as the name suggests, makes your text appear decisive. To work with Anti-Aliasing, choose the option you intend to work with from the menu, which you will find in the ‘Type’ layer segment of the Layer Palette. You can move to this menu either by selecting it from the ‘Options’ bar, or from the ‘Character Palette’.
When working with the ‘Type’ options, you first need to activate the ‘Type’ tool with the letter ‘T’. This will bring all the Type Tool alternatives into the Options bar, all of which can be used to add or modify the text that you add to your image. Of the various tools that you find on the Options bar, the first two let you choose between a Type Layer and a Type Mask to work on your image with. If you are looking to add a relatively large piece of text to your image, you can also consider creating a Type Layer, on which you can click and create a rectangle or square to make a text column. You can then work this column to the relevant section of the image, to ensure more accuracy. And if you choose to type directly on the layer, you must remember to pay attention to the ‘I beam’ on the image, which has a small horizontal line across it, to denote the baseline. Adhering to the baseline will further augment the accuracy with which you position your text, saving you a lot of valuable time and effort in the entire process.
With Photoshop, you always have the option of previewing your text to check for font and style compatibility, even before you actually begin to type in the content. However, if you think you need to see the final effect to make your decision, you also have the alternative of typing your text in, highlighting it and then modifying the finer nuances. Coloring your text is another ballgame altogether. With Photoshop, you can not only fine-tune your color choice with every individual character, but also multi-hue your text while using only a single layer. While the Color-Picker is bound to spoil you for choice, you can also pick colors off your image by moving your cursor to the color you want to emulate, while keeping the Color Picker window open.
After you’re through with working on your image and are ready to showcase it in all its creative glory, you can exit the ‘Type’ mode with the ‘Enter’ key on the Numeric keypad. Other ways to move out would be by clicking on any other tool in the toolbox, or the checkmark in the Options bar. For any oversights you want to correct, there is always the ‘T’ icon in the thumbnail section of the Layer’s Palette, double-clicking on which, you can go back to the ‘Editing’ mode once again. An easy way to resize or reposition the text is to simply click and drag it as per your preference while holding down the ‘Shift’ key. This prevents your text from getting distorted in relation to the proportions you set out with and if you aren’t too particular about the same, you can also stretch your text out, or flatten it by not using the ‘Shift’ key.
Photoshop has endless avenues for both amateur enthusiasts and professionals to explore. Although the learning curve can be steep and hard to grapple with, take your time with the software and be as creative as you can when using it. With a little practice and loads of determination, turning everyday plain-Jane images to digital masterpieces will be a forte you have firmly etched out for yourself!
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