Posted November 15th, 2008
by SFXsource
by SFXsource
Close-up photography is also known as macro photography. If your subject is small, you are able to photograph the small details by getting closer. Macro lenses are 1:1 (”life size”). This means that the image of your subject is the same size in real life. Listed below are macro photography tips to help you get started.
1. The first thing you will want to do is research the type of equipment you want. Experiment using the following: a macro filter, close-up lens, a telephoto extender, or a bellows attachment. For those of you just beginning, you may just want to invest in a macro filter.
2. In macro photography, it is important to know that the depth of field is different. Choose a high f-stop number such as an F16 or F22 (small aperture). Most of what is in the background will not be in focus.
3. Be careful when focusing your subject, because if you are not, the part you want to be in focus will end up blurry. Except under bright lighting conditions, you will probably use a slow shutter speed.
4. Lighting is another important aspect. Because you will be very close to your subject, there must be sufficient light between your lens and your subject. Ring flashes can be used to avoid this problem.
5. High film speeds will allow you to increase your shutter speed, since you will be using a slow shutter speed. It is recommended to stay at ISO200 or lower.
6. Have fun photographing a number of different subjects. Be aware of the shape and texture. Keep in mind composition as well as colors in the background.
You can experiment with light balance, use a diffuser, or use a tripod. Take your time with macro photography, and always have fun. Flowers and bugs are great subjects.
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Tags: art, Cameras, graphic arts, graphics, hobbies, macro, media, multimedia, nature, photographers, Photography, photos Posted in Photography
Posted November 14th, 2008
by Tim Harris
by Tim Harris
Taking Pictures with Flash Photography is a very easy thing to do but to master it as a technique is an entirely different matter. Comparing to an automatic flash, to get a natural looking picture with electronic flash will require a skill which needs to be mastered. The reason is because our eyes cannot discern the effects of the flash as the burst time of the flash is too short for us to process. In addition, we can’t even view the flash as we look through the viewfinder of the camera. In this guide, we will give you 5 tips to help you achieve better looking pictures using the right type of techniques.
Using the Canon Digital Camera Internal flash as opposed to the External flash.
Generally when we take pictures in settings like a restaurant or party situation, the use of an internal flash is more than adequate because the subjects to be photograph is usually at a close distance. The power of the internal flash unit will be powerful enough to illuminate the scene. Although the light from an internal flash is harsh, the conveniences of not lugging around an external far outweigh its drawback. Nevertheless, if the situation calls for a more professional photographic quality, you will need to use an external flash to do the job. By using an external flash, you will be able to soften the light of the flash unit by reflecting the light off the wall.
Compatibility of Old flash Units with the New Canon EOS digital camera.
Depending on the type of flash that you have, Canon Digital Camera only uses the Canon Speed-lite Flash with those models ending with “EX”. Other models like the “E” or “EZ” models will not be able to work with the Canon EOS Digital camera. Those from other manufacturer require that they support E-TTL flash metering in order for the flash to be compatible with the Canon EOS digital camera.
Unappealing pictures taken under harsh lighting.
Because soft light comes from a big area, internal flash are unable to duplicate such lighting as the light source is from a small area mounted near the lens of the camera. This tends to produce the unappealing result which we always find with pictures taken with internal flash. One way to go around this is to bounce the flash light of the wall onto the subject matter thus softening the light and producing a more natural look. Alternatively, you can also use diffuser to diffuse the light of the flash.
Red eye effect of Flash photography
The most common problem when using internal flash to take a picture is the problem of “Red Eyes”. This happens because the red blood vessels lining the retina of the eyes reflect back the flash light back into the camera resulting in the subject eyes glowing red in the photos. Taking pictures of animal also produces a related problem but this call the “Green eye” effect because of the color pigment of the animal’s eyes. When you use an external flash, you will be able to avoid all these problems.
How to take photos in rapid succession using the flash.
All flash requires a period of time to charge up. If you are inclined to take pictures in rapid succession using the flash, ensure that the flash have “Rapid Fire” ability. This means that, the Flash unit is able to fire off even though it has not reached it full charge capacity. Note that different batteries charge the flash at a different rate.
Tags: arts, Cameras, canon, canon camera, digital camera, entertainment, hobby, Photography, shopping Posted in Cameras
Posted November 10th, 2008
by SFXsource
by SFXsource
Though color photography is quite common, black and white photography is often a great choice for exploring your creativity. This article lists quick tips for black and white photography.
1. You can choose from different formats (different film sizes): 35mm (1″ x 1″), medium format- 120 (2″ x 2 “), and large format (4″ x 5″). Usually, beginning photographers will start off on a 35mm SLR (single-len reflex) camera. This camera allows the photographer to view and focus on the subject directly though the lens.
2. There are different film speeds for different situations; film speeds are rated by an ASA (American Standards Association) number. For brightly lit subjects, a slow film such as 32 ASA is used; slow film produces fine grain negatives. Outdoor photographers will typically use a medium film speed such as 125 ASA, and that produces medium grain negatives. A fast film speed, such as 400 ASA is best for indoor use, and produces coarse grain negatives.
3. The aperture is adjusted to control the amount of light entering the lens. F-stop is a measurement of the size of the lens opening. A smaller F-stop number is a bigger opening and allows more light to reach the film. A larger F-stop number decreases the amount of light that reaches the film. The following is a typical F-stop range: 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22.
4. Focal length is a measure of the lens size, measured in mm. For a lens with a longer focal length, the angle of view is narrower. A short focal length has a wider angle of view. The following are lens types and their focal lengths: normal (50mm), wide angle (21-35mm), and telephoto (105-300mm).
5. Shutter speed refers to the length of time the film is exposed to light. A fast shutter speed means the length of exposure time is short. A slow shutter speed means the length of exposure time is long. Shutter speeds: B, T, 2, 4, 8, 15, 30, 60, 125, 250, 500, 1000. Shutter speed time can be better understood if you place a 1 over the number to turn it into a fraction. When you place a 1 over the 2, that means the shutter speed is a second.
6. The B stands for bulb, and the T stands for time. Bulb means that the shutter will stay open for the amount of time you are pressing the button down. Time will keep the shutter open until you press the button again.
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Tags: art, Black and White Photography, Cameras, graphic arts, graphics, hobbies, media, multimedia, photographers, Photography, photos Posted in Black and White Photography
Posted October 15th, 2008
by James Beck
by Dan Feildman
Weddings are the most special of occasions, and weddings and digital photography go together like wine and cheese. Why not market a digital photography service to the happy couple? One route is to contact wedding planners and negotiate a deal. Wedding planners are in a position to recommend a great many services to brides and wedding parties. A good relationship with one of these professionals can be your key to great success. However, professional wedding planners will work only with experienced, well established photographers. They won’t risk their reputation by recommending an unknown service could be less than stellar. You will need a wedding portfolio and possibly testimonials from satisfied wedding parties before you can make inroads with a wedding planner. If you are not yet at that point, there are other ways to establish your digital photography service for weddings.
First, if you have no wedding portfolio, offer your service to a bride in return for a testimonial. Be sure you keep the copyright on your pictures so you can use them to create a portfolio. You might locate a receptive bride within your circle of friends and family or through other networking activities. With at least one wedding under your belt and with a nice testimonial and portfolio, start looking for other weddings to photograph. Word of mouth is always ideal, but you might also check the wedding announcements in your local newspaper.
To build up a portfolio, offer your services in return for testimonials. Make sure you have the copyright for your photographs so that you can use these in your portfolio. Often your first client will be from your social circle, so get the word out about your service. Word of mouth is the best recommendation, but with your new portfolio and testimonial, you are prepared to search for wedding announcements in your local newspaper.
You can contact the bride by phone or mail. Offering to take pictures of the preparation for the wedding is a good way to make an impression as most studio photographers do not offer this service. Sending the bride free promotional material is another way to get business.
Offer to photograph events related to the wedding for example bridal showers, the rehearsal dinner or the gift opening. Another way to generate business is to contact people involved in weddings such as florists and bakeries, and inquire about leaving brochures or negotiating a referral fee.
Run a Google search for “scrap artist” or contact a local scrapbook store to locate a suitable scrap artist. You might find the store manager is interested in pairing with you for this project. Last but not least, if you’re pursuing a wedding digital photography business, always remember that it’s all about the bride. Make her happy and everything else will go well.
Tags: Cameras Posted in Cameras
Posted October 12th, 2008
by Daniel Edstrom
by Donald K Aniston
The Sony Handycam DCR - SR85 offers one of the most advanced technologies available for those who are searching for a great digital camcorder.
The Sony Handycam DCR - SR85 is completely dependent on its internal hard drive to hold all of its memory.
Another great feature of the DCR-sr85 is that is uses hybrid recording technology.
The Sony Handycam DCR - SR85 is one of the most advanced machines on the market today for recording memories and special events.
Since this is a camcorder that does not use any external items to save memories, such as a Mini DV tape or a DVD, it has to offer people a huge amount of space to store items. Another great option that this camcorder offers is the zoom that can magnify images up to twenty five times.
This particular Sony product offers even the novice the chance to own and operate a very high tech piece of equipment at a fair price. Most pieces of equipment that are this technologically advanced come with a high price tag and a ton of directions. The DCR-sr85 does come with precise directions, but the price is reasonable and anyone can operate it with ease if they take the extra time.
Since it focuses specifically on its internal memory for storage, a person needs a way to share and record their special moments besides being dependent on the memory of the digital camcorder. Hybrid technology offers consumers the option to transfer data to a memory stick without the use of a computer. This is one of the new features that will be included in all digital camcorders in the near future.
Tags: Cameras Posted in Cameras
Posted September 28th, 2008
by Dan Feildman
by Dan Feildman
Experiment with exposure Digital cameras usually work best in sunlight, just like film cameras. When you move indoors, or into dim light, things get much trickier — just like film cameras. So experiment.
If you can, shoot your subject from different angles and with different lighting. If you can manually turn off your flash, do so. Other flash settings can also be tried such as ‘fill flash.’ Sometimes even a perfectly exposed picture can be improved with fill flash. Other times turning off the flash leaving the subject underexposed can add an element of drama.
You can take the same photo three different ways using three different exposure options and the result will be three totally different pictures. What’s even better is that all three can look good, but you have to experiment.
If at all possible, bracket your shots, with one shot slightly underexposed, one slightly overexposed, and one “just right.” Some digital cameras will do this automatically, but even then you need to practice. If you are expecting the camera to shoot one frame and it shoots three, there is an excellent chance the last two will look like they were taken by a very surprised photographer.
Special Features: Many digital cameras now come equipped with a variety of special features. Some of these include allowing you to take short QuickTime clips and the ability to record sound annotations. Even though some allow you to experiment with effects such as black and white or sepia-tones, focus on mastering the basics first before taking on the special effects.
Keep in mind that some of these tricks, such as black and white or sepia-toned images, can be done without the camera. Just load up a normal color image in Photoshop and, in a few minutes, you can have perfect black and white or sepia-toned photos. In other words, if you can do it easily in Photoshop, you might be better off concentrating on taking a good color photo, and worrying about special effects later on at your leisure.
On the other hand, you should try out other special effects. For example, if you pan your camera to track a car moving at high speed, the car will be in sharp focus but the background will be blurred, making an interesting picture. Or you can do the opposite: focus on a particular stationary object — a child flying a kite, a freshly-painted fire hydrant — and allow a speeding car to enter the frame. You’ll then have a sharply focused center of attention with the added benefit of motion.
Silhouettes are another nice special effect. Try taking a photo with your subject in shadow, eclipsing a brightly-exposed object in the background. Now try the reverse, a brightly exposed subject against a dark background. One can be just as interesting as the other. Getting a good silhouette with film is expensive, as you shoot a lot of frames with little or no reward. There is no cost with a digital camera, just a little time and patienceboth of which will be well worth it!
Tags: Cameras Posted in Cameras
Posted September 20th, 2008
by Dan Feildman
by Dan Feildman
Landscapes are one of the most continually photographed subjects. Impressed by an attractive scene, most people quickly pick up the camera and snap. Unfortunately, the results are all to often disappointing. The real scene has the direct experience of the sun’s warmth, the breeze and general atmosphere. The photograph obviously misses these features. The real scene also has a depth and the eye moves around the landscape, seeing objects close by and far away, and so deliberately putting some depth into the photograph can make a great difference to the effectiveness of the picture. A few moments used to select the right viewpoint can be well spent so it’s best to avoid shooting too quickly. Look for ways to give the picture depth with a foreground, mid-ground and distance. This can often be achieved simply by moving one’s position just a few feet.
The next thing you have to do is get all the equipment that you’re going to need. This is going to vary depending on what kind of field you want to get into. For example, if you’re planning to become a photographer who specializes in stock car racing, then you are going to need a lot of equipment for taking high speed photos. The good news is that you’re not going to have to spend a lot of money on lighting since these photos will be taken outdoors. Conversely, if you’re planning to photograph fashion models, lighting is going to be critical to your photos and your lighting equipment expense is going to be quite high. The next thing you’re going to need to do is advertise. You’ll have to print out business cards, take out ads in magazines and newspapers and more or less get the word out that you exist. If you’re hoping to break into the field taking photos for a magazine like Playboy, then you’re going to have to first get some private work photographing models in order to submit these photos to the magazine itself. Before you do that though, you’re going to have to write to the magazine for permission to send photos. Most publications do not accept unsolicited material.
By using digital photography, even the novice photographer has the capability to produce professional quality pictures at a fraction of the cost. Photography has been around for a long time, and people have always wanted their memories captured to last for generations. By using digital photography, the photography community has opened up the doors for photo sharing in every technological form if one has the right equipment. The first thing that a person must invest in when thinking of using digital photography is the right camera. In order to understand what constitutes the right camera for someone, a person must understand how exactly the digital camera works. A digital camera works is by using an electronic device to store and capture an image into binary data. In other words, the picture is turned into a form of information that can be understood by a computer’s electronic brain.
Anyone who wants to learn how to be a photographer doesn’t have to enroll for many years to get a degree. There are colleges who offer this as one of the subjects which the student may take as an elective. Can you still learn how to be a photographer being out of school for many years? The answer is yes. The only thing needed is your dedication to learn from the proper techniques and a camera to take some shots. Some students don’t have to go to campus anymore. There are some institutions that offer distance education. A good example is the New York Institute of Photography. You will learn everything from exposure, lenses, the various techniques used to cover different events, journalism and much more. Being affiliated with the school, you will be entitled to free online magazine articles such as contests and digital imaging.
The first thing you need to make sure of is that the school/community college you’re attending is an accredited school. This means that the school is legitimate. I have seen WAY too many advertisements on the Internet and in local newspapers for Digital Photography classes only to find out that this is just some guy or girl teaching out of their apartments. C’mon! By going to an accredited university you are ensured that you will be getting your money’s worth, and that the class will be taught be someone competent and who went through an enormous amount of education that they are now passing along to you!
There are many people who want to make photography as their career. Many people find it fulfilling to engage in a life of taking pictures. This venture entails a good photography education. Just like any other kind of school, the appropriate selection of a photography school which will meet the needs of the students is essential for a good education. This article tries to lay down some tips on how you can choose a good photography school. Listed below are the tips: - Look at the bigger picture: In choosing a photography school, you must be able to look from afar to able to see the bigger picture. The selection of a photography school must be made under consideration of your general career goals. There are several tracks which can be taken in the field of photography.
To keep yourself enthusiastic about your subject, you might want to shoot two or maybe three projects at a time. Spend a Saturday afternoon shooting your local town’s attractions and people, and next weekend drive into the nearest city to shoot architecture and caf culture. But how do you choose projects that will assist in creating strong selling images? Search stock photography agencies, look through travel magazines and newspapers. What you see everyday is what sells. The key is to plan what you are going to shoot. Although we are all guided by weather conditions, it is possible to select the images you want before you arrive at your location. I rarely arrive without at least a few images mapped out in my head, and never without a shoot list. As travel photographers, it goes without saying that we have a passion for travel. It’s why we do what we do. But it is an extremely difficult business to get into. The catch 22 is that to produce a portfolio or stock image library you need time and money. To fund your photography you need to work. It will take time and dedication, but by shooting close to home you will gradually improve your photography skills and start to build a portfolio of images to be proud of. It all comes down to the way we view our surrounding.
Tags: Cameras Posted in Cameras